Movie Reviews

I love to watch movies and I thought that I should share my impeccable tastes with the world!! Also with some co-critics added to the mix. Click on our names below to view our particular tastes...

Saturday, March 11, 2006

In Her Shoes - 2005

I must issue a chick flick alert; however, this is a rare case of that alert not ruining a movie for guys. This is an excellent film. Director Curtis Hanson brings a reality to the film that prevents it from ever sinking into 'Beaches' muck.
The three lead actors are all outstanding. Cameron Diaz flashes some real ability as party girl turned soul searcher. Shirley MacLaine is terrific as the long-lost grandmother who has wised up and is thrilled to be re-discovered. Toni Collette is the heart of the the film, despite her character's lack of confidence, which usually sends me into a coma. This over-used female trait is handled quite differently by writer and director and actor, thereby creating a great deal of interest for the viewer.
The dialogue is real, the characters are real and the settings are real. These are people and families and relationships that we can all relate to. The script proves that most family dysfunction is the result of poor communication, not bad people. Regrets can eat away and just become part of the fabric of a family. Once they are hit head-on, there is much to gain by all involved.
Two supporting cast members really stand out. Francine Beers as Mrs. Lefkowitz, a retirement community neighbor of Ms. MacLaine's character shows wisdom and color beyond her (many) years. Norman Lloyd has a warm and heartfelt role as a hospital patient who has much to offer.
Oh and Cameron looked amazing in this movie. Go watch it, you'll enjoy it...

Monday, March 06, 2006

The Weatherman - 2005

I know this film has already been reviewed but I thought I would add my spin to the mix. Cage is very good, I miss his action films for example The Rock and Face Off but he seems to be following a different path at the moment. The ever impressive Canie is back to his best, why o why did he do Goldmember?? Career suicide!!, but in this film he is repairing the damage.

May I also take a moment to congraulate Rachel Weisz and the Wallace and Gromit Crew for their Ocsars. Feel it is a Faux paux on my co-contributor's part for not supporting the British Films stars. I am a BIG fan of Brokeback Mountian. The film has a certain special Quality that puts a smile on my face.

Walk The Line - 2005

Joaquin Phoenix wears Johnny Cash like a suit. He isn't doing a dodgy kareoke impersonation, you don't rub your eyes in disbelief, but he channels a man so distinct in appearance and voice to a level that is unparalleled. One of the traits that made Johnny Cash a legend was that nobody sounded or looked like him. Short of a CGI Cash walking around in his own bio-pic like one of those John Wayne beer commercials this is the closest we're going to get.
However Phoenix may not have given the best performance in the film.
Reese Witherspoon (who won an oscar for her supporting role) more than holds up her end in a role that easily could have been wasted. Witherspoon portrays the on-stage June in the way June portrayed her own 'character', the stage persona that people adored, while giving her the resolve and inner strength to be the woman who tamed a hell-bent, grizzly bear of a man like John.
The chemistry of Phoenix and Witherspoon together in any scene, but their on-stage duets in particular, are truthful in a way that resonates long after the credits. I know that unless you have been living in a cave for the past week you have likely been bombarded with the word that the actors sing themselves without use of lip syncing. I have not generally been a fan of musicals (discounting Grease and Moulin Rouge!), or even musical performances in a film. They generally seem forced and uncomfortable to me, the moment when I stop experiencing the story and feel reminded that I am watching a movie. I never felt that in this film. I never felt that their singing took the focus of the film, but the performances work with the story like no other music biography I have ever seen, except maybe 'Beyond The Sea' in which Kevin Spacey was excellent. I never felt as if I was being led through the catalog, the songs felt as organic and natural as any spoken dialog in a great narrative.
Definitely worth watching.

Sunday, March 05, 2006

Elizabethtown - 2005

Elizabethtown is the kind of movie you should see on a sunny autumn afternoon after a walk with an old friend. It has a joy to it, a basic sense of optimism and a light touch, so that it never crossed the line from sadness into tragedy and melodrama. Director Crowe doesn't let us fall into sentiment, but he deftly weaves a story that could have been corny and sentimental in lesser hands. I think that the cast did an excellent job portraying people I could really feel for and with, especially Orlando Bloom. Bloom's Drew Baylor is introduced in a moment of pain and panic, utterly emotionally blocked, repeating "I'm fine" while feeling suicidal and saying "My condolences" to strangers and distant relatives as if the loss of his father belongs to them and not to him. In the film, he relaxes and grows emotionally under the tutelage of Kirsten Dunst's Claire, and together they work their way through the American heartland into a tender relationship and a new perspective on the meaning and value of life and success. From the side stories of the supporting characters to the road trip, all the little moments that felt real and sincere made this movie one that I enjoyed watching and will think about and remember. I hope you enjoy it, too!
Go watch it.

Saturday, March 04, 2006

Rebound - 2005

Rebound tells the story of Coach Ray (Martin Lawrence), a highly paid NCAA basketball coach who ends up banned from coaching for bad behavior. With no other options open to him he ends up coaching back at his old junior high school where things take mostly predictable, but enjoyable turns. For example the team is so bad at basketball it hasn't won a game in twelve years, and is made up of the typical assortment of kids who don't know left from right, so even though you know whats going to happen but you don't mind because Lawrence and the kids are fun to watch.
Go rent this fun movie and watch it with the kids...

Friday, March 03, 2006

After The Sunset - 2004

Decent movie starring Pierce Brosnan & Salma Hayek. Far too similar to 'Entrapment' for my liking which starred Sean Connery & Catherine Zeta Jones. Both boys re-living their 'Bond' days, some catchy one-liners but all I can really remember about this movie is how hott Salma's ass looks..!
Nice cameo from Don Cheadle.

Watch this movie if you liked Entrapment...

Hotel Rwanda - 2004

This movie is one of the most gritty and intense factual dramas in the past few years. Terry George, Don Cheadle, and all who were involved should be praised for their work. The Rwanda Crisis in 1994 was a horrific atrocity, but it must be made known to the world. Many people don't know about politics and Africa and other troubled nations throughout the globe.
It would have been easy for the crew to give a one-sided tale about the horror of war and fill a 90 minute picture with nothing but blood and guts. It would have been easy to 'shame the world' by painting a picture of a negligent international community who has larger concerns than the Rwandan people.
The crew of this film have produced a movie that will stand for many years. It involves politics, culture, family, religion, race, and many other questions of ethics. It tells the entire story from all perspectives and makes you see the humanity.
This movie is a must see for anyone who claims oppression or has an interest in international affairs. It is almost like watching a documentary. This was a real event, with real people, and real consequences. If more people knew about these type of atrocities maybe something would have happened. Definitely puts life into perspective. We cannot allow this to happen again, this is a story that must be told. All praise to Terry George who was forced to fund the entire movie himself. I cannot believe that despite numerous nominations it won no oscars.
Go rent this movie now, it's amazing and a true work of art but sometimes hard to watch.

Wednesday, March 01, 2006

Beverly Hills Cop - 1984

What I like about Beverly Hills Cop is that, while it's falls into a sub genre that is a cliché in itself (by now, at least), it does something a little different in the way that it's structured. At least in the buddy portion of the plot formula. Eddie Murphy doesn't get assigned to a goofy white partner like Judge Reinhold's outstandingly goofy Detective Rosewood against his will, but is instead constantly pursued by Detective Rosewood and his own partner as he investigates a case that he's not supposed to be investigating.
THAT is the cliché that the movie follows to the letter. Every single line is here, 'take some time off,' 'stay away from this case,' 'if you go after this guy don't bother calling in on Monday,' etc. My eyes tend to glaze over whenever I hear this situation in a movie, probably because I work so much and in such situations can only think of how great it would be if my bosses told me to take some time off, go on vacation, don't let them catch me working or they'll fire me. Maybe I need a vacation so badly that I have a hard time identifying with someone who is forced to take one. That being said, I really enjoyed the movie.
The plot itself is really pretty simple. It's a basic set-up to create lots of situations for Eddie Murphy to be a comedian, and for the most part it works really well. Axel Foley (Murphy) runs into an old friend, they go out and have a great time talking about old times, and it gradually becomes clear that the guy has gotten into some trouble. As they get back home they are attacked by two men who knock Foley unconscious and kill his friend. The rest of the movie is Axel trying to find out who did it and bring his friend's killers to justice while a lot of goofy Beverly Hills cops follow along trying to mess up his forbidden investigation.
There are a lot of classic ploys in the movie, such as the fact that Foley is a cool, street smart cop from Detroit, while the guys assigned to follow him are geeky white police officers from Beverly Hills, presumably not used to dealing with tough cops or tough criminals. Indeed, Judge Reinhold, who capitalized off of his awkward nervousness is several films (kind of like David Spade capitalizes off his dorky weaknesses in most of his movies), is the embodiment of everything that a police officer can do or act like in order to command no respect whatsoever. If Reinhold had auditioned for a part in Police Academy, he probably wouldn't have gotten the part. He's like a kid trapped in a man's body, which is why he filled his role in Vice Versa so well.
The movie is entirely driven by the comedy, it's a vehicle for Eddie Murphy to be funny, he moves through the movie from one comedic situation to the next, endlessly making fun of his pursuers and effortlessly staying one step ahead of them all the while ("We're not gonna fall for the banana in the tailpipe..."). This must be what Jamie Foxx was talking about when he said that Eddie Murphy needs to go back to being dangerous. Granted, he was hardly a dangerous criminal in the movie, but this is Eddie Murphy at the top of his form.
Ignore Ricky Ricardo, Eddie ROCKS!!!

Tuesday, February 28, 2006

Raise Your Voice - 2004

I may be about to totally discredit myself as a film critic but having said that I really enjoyed this movie.
Yes it starred Hillary Duff, yes it's a blatant chick flick and yes it may not have got any oscar nominations. However, you care about the characters and that essential to a movie like this. It builds up an almost idyllic sibling relationship at the beginning and destroys it totally out of the blue. It's a story that everyone can relate to on some level.
The 'mushy love story' really isn't as horribly contrived as you may think if a little predictable. I must be going soft in my old age!
Oh and there's a cameo from 'Uncle Phil' from the Fresh Prince as the principle!!!

Rent it, kick back and feel good.

The Upside of Anger - 2005

Life doesn't come with an instruction manual or a script to follow, it's basically improvisation on a daily basis, and as it plays out people and things often are not who or what they seem to be on the surface. It's reality, as opposed to the way you expect, hope or want it all to be; truth, as opposed to an individual perception of truth. That's life. And "The Upside of Anger," written and directed by Mike Binder, explores some hard realities that differ drastically from expectations and perceptions.
The film opens with a funeral, a somber note which in a sense prepares you for what is to follow, after a flash back of three years, at which point the story begins. Teri Wolfmeyer (Joan Allen) is at loose ends because her husband has run off with his secretary, leaving her and four daughters behind to fend for themselves. Angry, distraught and a stone's throw from bitter, she turns to alcohol to deaden the effects of what has been a life-altering experience. Luckily, or maybe not, Teri has a neighbor, Denny Davies (Kevin Costner), who is an ex-pro baseball player turned radio talk show host, with whom to share a drink and commiserate. Her daughters (three teens and one in college) are supportive, as well... to a point. But they are each in their own way also struggling to understand why their father deserted them. By all accounts, this was in no way a dysfunctional, angst-ridden family, so the actions of their father is a mystery to them all. Naturally, it's a pivotal point in their lives, and before any of them can move on, especially Teri, they have to know why he did what he did. In the meantime, with or without this needed closure, life is happening to and around them.
Binder (who also appears in the film as the producer of Denny's radio show) displays an astute knowledge of human nature with this film, and how random the myriad twists and turns of life can be. He holds your attention from the opening scene (who's funeral is it, anyway?), and just when you think you know where the story is going it takes an unexpected turn. And he is in no way attempting to manipulate his audience; rather, he is giving you a reflection of the way life so often simply does not go the way you think it's going to. It's a succinct look at relationships, and of how fragile, as well as resilient we all can be.
As Teri, Allen sets vanity aside to create her character and turns in an Oscar caliber performance in doing so. When she gets up in the morning she looks like a middle-aged woman with insufferable problems and a hangover, a woman in the midst of coping with a traumatic experience who is desperate to reconnect with a life she no longer has and who will do anything within her power to hang on to what she has left. She's walking a tightrope over a deep abyss and she's understandably on edge, so when one of her girls tugs the rope and compromises her control and security, she quite naturally lashes out, proving that you always hurt the ones you love.
As performances go, Kevin Costner, creates a character that is finally entirely convincing. Denny Davies is in no way glamourous, his hair is thin and most of the time he looks as though he's wasted. Still, he's engaging, and you get the feeling there's a complex individual hiding behind an external simplicity that perhaps helps to mask his true feelings about a lot of things in his life, including his career on the diamond. Why, for example, does he refuse to talk about baseball on his sports talk show? In it's purity, this is arguably Costner's finest performance ever.
Top notch performances are turned in, as well, by Erika Christensen, Evan Rachel Wood, Keri Russell and Alicia Witt as Teri's daughters, respectively, Andy, Popeye, Emily and Hadley; and by Binder himself as Shep. In the end, "The Upside of Anger" is an involving, memorable film that celebrates life and leaves you with a sense of hope, that no matter how bad things get we all have the capacity to get through it and somehow find the light at the end of the tunnel.
Go watch it, you'll love it.

Greetings

Good Afternoon, may I take this opportunity to thank Luke for allowing me this opportunity to post my movie reviews on his site. Check out ITV2 for every Tuesday for Eddie Murphy specials.

Lucky Number Slevin 2006

Disappointing. With such an all-star cast I was expecting something special but left feeling a little let down. This film is your average 'bluff' film were you are led to believe that Slevin/fisher (hartnett) is being caught up in something which doesn't concern him when end the end it is all created by him. Basically a kid's family get killed and he is out for revenge, if you don't see the twist coming at the end up must have already fallen asleep. One plus point is who Wills performance, it had echo's of his character in the jackal. Overall rating: Rent it if you don't want something to complicated.

Monday, February 27, 2006

Kiss Kiss, Bang Bang - 2005

Directed and co-written by Shane Black; based on a novel, "Bodies Are Where You Find Them" written by Brett Halliday; and starring Robert Downey Jnr, Val Kilmer and Michelle Monaghan.
A terrific opening credit sequence easily sets up the audacity and chagrin of the film for an appreciative audience. In essence, these are the reasons why you need to see this movie: the razor sharp wit, shockingly fast-paced and hysterical dialogue, pulp-fiction-esquire vibe, its pure cheesiness and the cynicism of a beat up old paperback detective novel. Got you yet? Alright, maybe an explanation of the seemingly simple plot is warranted. It begins with a ridiculously funny set up resulting in Downey's character being paired up with Kilmer to observe the latter in his job as a private detective. They hook up with a down-on-her luck actress who brings a case for the sleuths. This synopsis constitutes gross misrepresentation on my part as things get remarkably complex. How so? Well, even the lead the character (who also is purposefully pathetic as narrator) takes time out within the movie to remember where he is in telling the story. There are even snippets of dialogue where the characters attempt to fill in the gaps or actually remind themselves of what has happened thus far in the movie. Downey, Kilmer and Monaghan are all caricatures drawn from popular references of literature, movies and art. All however, are larger than life, exhibit great chemistry and for a movie buff, it is heaven to witness the self referential exercises and hear the narrator shred every narrating convention applicable. Downey's performance is remarkable (neurotic, comic, vulnerable and charming). I have never seen Kilmer in such a well-defined, uproarious piece of work. Monaghan is also integral to the trio and shines exuding a brash, fighting and sexy appeal. She brought back fond memories of early Kathleen Turner and Rene Russo. The fact that her look screams Renee Zellweger, is not a bad thing either. Black became famous in the 1980s for writing the hit buddy movies: Lethal Weapon, The Last Boy Scout and The Long Kiss Goodnight. As a first time director, he does well keeping the frenetic pace and allowing the audience to catch up only to get lost time and time again. The style is so disarmingly effective, that at times I shook my head in confusion or found my hands against my mouth, agape in shock. I also think that in creating such a brilliant script that Black may have blacklisted himself in Hollywood for mirroring its supposed fame and glamor and exposing its not too pretty side. His one-liners and connected sub-plots are not typical and Kilmer and Downey make magic with their banter and clinical delivery. All the ingredients of a pulp-noir novella can be found, even employing a structure of chapter-type headings within the movie. Parallel story lines unfold and given plot assumptions are turned over, always with achingly funny results. Even the clichés are clever e.g. a tough guy predictably crashes through a glass table, or body after body turns up, to haunt the characters.I strongly recommend the movie, given the talent of Downey and Kilmer. Downey should be honored with a Lead Actor Oscar nomination; while Kilmer deserves a Supporting Actor nod. It thrilled me to see them both in their element, as I was on the verge of disavowing them as marquee/box-office draws. The screenplay should also attract Oscar consideration. One of the year's best films and one of those rare movies where you'll consistently find something new to laugh at, when viewed each of a dozen times.

The New World - 2005

A quite-literally breathtaking 120 minute montage of sights and sounds depicting the first British contact with North America. The narrative is minimal, even inconsequential, as perhaps it should be in a story that is predominantly about the human need to communicate even when language is a barrier rather than a vehicle to understanding. 'The New World' is a genuinely poetic, lyrical, visually stunning and heartbreaking movie. About as flawless as cinema gets. The intense innocence of the female lead is compounded by her being only 15 at time of filming and obvious legal restrictions.
Don't expect a lot of action or laughs. Watch it because it is a cinematic, dramatic masterpiece.

Sunday, February 26, 2006

Exciting Site News...

After careful consideration I have decided to make Richard a co-critic on this site so now there will be a more eclectic mix of reviews and maybe even some conflicting ones ooooooh!
By the way Eddie Murphy - Raw is bloody hilarious. Watch it, no matter what Rich says...

The Weather Man - 2005

Excellent Nick Cage flick, on a par with his oscar winning performance of 'Leaving Las Vegas'. This movie was not at all like I was expecting; on one hand it is crude and silly (with the 'camel-toe', but it's also extremely dark and sad. David Spritz (cage) is a sad, lonely man who's trying to reconcile with his ex-wife and get his family back together, but despite his best intentions, things just never work out the way he wants. More than anything, he wants to prove to his dying father that he can be a great man too, but time is running out. This is not your typical comedy. It's not easy to watch at times, but according to Robert Spritz (Sir Michael Caine), "Easy doesn't enter into grown-up life."

Great Movie, go watch it.

Final Destination 3 - 2006

This one was very samey to the second movie although having said that the deaths were more dramatic and there was even more of the black comedy that I loved about the second one.
The funny thing about this movie is that you know they're going to die but still I thought they'd got away with it and were going to survive. I think this is because of the addition of death 'skipping' people so you wonder if they have been 'skipped'. I did like the photo idea that was clever. Definitely worth a rental...

Tuesday, February 21, 2006

Lord of War - 2005

Absolutely loved, loved, LOVED this film. Best Nick Cage movie since Face Off. Almost comparable with the Godfather. Yes, I said it!
It catalogues the fact-based story of arms dealer Yuri Orlov's (Cage) struggle with his own morality as he supplies weapons to "8 out of the 10 major battlefields on earth".
Brilliant storyline with no dodgy romance spoiling the plot. There were no 'good guys' or 'bad' for that matter, and I liked that. Everyone can relate to Cage's struggle with his own morality of what is right for him and what is 'not his fight'.

WATCH IT!!!

Monday, February 20, 2006

Dirty Dancing 2 - Havana Nights - 2004

I must confess I was more than a little reluctant to watch this movie with harrowing flashbacks of Grease 2! I was expecting a dodgy re-hash of the original classic.
What we actually have is a completely different story based on the bare bones of the original. There was an excellent cameo by The Swayz who (unsurprisingly) managed to keep his shirt ON. He still moves pretty good for a 54 yr old, but then so does Travolta!!
It has fantastic music and real chemistry between the leads.

All in all if you loved the first one, you'll love this one!

Call me a soppy fool, I don't care... :op

Final Destination 2 - 2003

I actually liked this movie. Is a similar movie to the first one. There was much more play on the black comedy and I liked that, especially the ending! These characters I prefered possibly because they were 'unknowns'. It's funny, I enjoyed the sense of irony, of dodging death but it getting you anyway that really annoyed me about the first one.

I wouldn't call this movie great but it's definitely an improvement in the first one. Makes me want to go and see the third.

Sunday, February 19, 2006

Final Destination - 2000

Not a huge fan of this movie. I really was not impressed with any part of it to be honest. The effects were lame and unbelievable, the storyline was reasonable but I just didn't care about the characters. I can't watch this kinda flick and not care, it just didn't engage me.

Let's see if the sequel is better...

Saturday, February 18, 2006

On The Line - 2001

Loved this film.
The storyline may not have been the most inventive, perhaps I liked it because of how I was feeling. Very similar to Serendipity only perhaps not quite as good. But then Serendipity had decent actors as opposed to the former Timberlake crew!
This is a clearcut 'feel-good' film. Blatantly a chick-flick, but none the less I liked it (despite it starring most of NSYNC lol)
Just kinda gives you hope of the perfect innocence of love, the way it's supposed to be. Kinda reminicent of the oldies that I love.

Don't watch this movie expecting to learn something or see high quality or perhaps even good acting!
Sit back, switch off your brain, relax and enjoy.

Friday, February 17, 2006

Welcome to my Movie Review Site...

Hey, I watch so many movie that I figured I should review them on my own site! Mostly cuz people always ask my opinion on what to watch, so I can just direct them here!!!
Anyways, every time I watch a flick I'll write what I thought of it!!!

K bye.